TU Dublin Conservatoire Research Symposium 9th February 2023
Date of Event: Thursday, 9th February 2023
Time: 09:00 – 18:30 GMT
Location: TU Dublin, East Quad Grangegorman Lower D07 XFF2, Dublin 7
download the Symposium program: Research Symposium Feb 2023
About this event:
TU Dublin Research Symposia celebrates and highlights the research activities at TU Dublin Conservatoire, and provides an opportunity for staff, students, graduates, and visiting. scholars and performers to share their research and practice.Today we look forward to papers and performances by research students on our Master of Philosophy (MPhil), Doctor of Philosophy (PhD) and Doctor of Music in Performance (DMus) degree programmes. We are delighted to welcome the composer, writer and lecturer, Christopher Fox as our guest speaker, and classical guitarist Andrea De Vitis for the lunchtime recital.
TU Dublin Conservatoire has developed an active research profile in the areas of musicology, performance, music education and composition. The Conservatoire is also home to the Research Foundation for Music in Ireland. Our staff and students produce a wealth of research outputs that make a significant contribution to our understanding and knowledge of the creative and performing arts.
Symposium Schedule
09:00 hrs -10:30 hrs Session 1
- Yue Song Senses: The delicate qualities of strings
- Ian Cecil Scott Pitch Class Set: Redundancies and vector integrity issues
- Kevin Free Rockwell Automations Retro Encabulator: A look into speech melody
10:30 hrs Tea/Coffee Break
11:00 hrs Keynote Address: Professor Christopher Fox
- Innovation and sustainability in new music
12:00 hrs Lunch Break
13:10 hrs - 14:00 hrs Lunchtime Concert: Andrea De Vitis (classical guitar)
- Music by Murail, Ramelli, Gilardino and Bach
14:15 hrs - 16:15 hrs Session 2
- Aileen Cahill Mille-feuille: An exploration of the layering processes that occur in mental practice in music performance preparation
- Sandra Oman-Farren Puccini’s Manon Lescaut: An examination of the dramatic challenges of the role through the lens of the lived experience of nine international interpreters of the opera
- Helen Doyle An exploration of choral activity in the Dublin Feis Ceoil, 1897-1932
- Roddy O'Keeffe The Guinness Choir: The foundation years, 1951-1963
16:15 hrs Tea/Coffee Break
16:45 hrs - 18:15 hrs Session 3
- Stefano Moccetti Alfred Heinrich Loreti: An unknown Swiss composer
- Enrica Savigni J. K. Mertz and J. Plantin’s repertoire for piano and guitar: context, performance and transcription
- Ella Fallon Automne: An examination of Cécile Chaminade’s approach to recorded performance
18:30 hrs Closing Remarks